Jose Man​uel Merello

Contemporary art

José Manuel Merello
Gallery of artworks.

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Electric  Still life.
81 x 100 cm / Canvas

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Windows, moments

When we observe a painting of a landscape we are opening a mental window to a Nature that the painter has managed to capture in his work. Nature is free, independent of the human being, but in a painting it is Nature recreated, conceived, digested by the human mind. This wonder amplifies the concept of landscape; a blue sea will become a frenetic or calm story of color and textures, in a still and eternal moment of how the painter lived that emotion that Nature integrated into him. And he leaves it there, on a limited and enclosed surface, a piece of the soul frozen in time forever.  

Landscape or film

A landscape can be a more or less real and naturalistic, more or less impressionistic or fauve copy of Nature where everything is in its place respecting light and natural perspective, but it can also be a reinvention or recreation of it. In Chagall, lovers, a blue horse and a red Eiffel Tower fly weightlessly over bent houses in distorted perspective. In Miró the stars become symbols and graphics that do not cross an unfathomable firmament but rather descend to the ground and are placed in front of a bird, with their sparkles like calligraphic signatures, or on blue suns bordered by red, yellow and black. De Chirico's landscapes vibrate under a permanent impossible sunset...

 

The landscape genre long ago stopped being a mere evocation to also be an invention, an arrangement of elements that with their own laws and rules complete a free story on the picture plane. And that's when the landscape becomes an outdoor movie. What is important and necessary is that it be a landscape, a succession of natural elements, houses, trees, fields, rivers and seas, suns and clouds, so that we can continue calling them landscapes. Otherwise we will be facing a fantasy story, we will also be in a movie, yes, but not about Nature.

The same applies to an interior or a still life, but it is in the landscape where it is best manifested, perhaps because of that illusion of open countryside where the history of things takes place.

© José Manuel Merello

Online catalog of available works

Contact to see an online catalog of available works:

artemerello@gmail.com
See original paintings
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Maternidad en la playa
100 x 81 cm
Mix media on canvas

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Historia de un caballo
145 x 195 cm
Mix media on canvas

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Contemporary Modern Art. Paintings, Works.

Arte Contemporáneo. Figuras. Figuración Actual.

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Arte Moderno. Expresionismo. Pintura Actual.

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Pintores Españoles Contemporáneos. Obra Original.

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Color, Textura, Técnica. La Composición en el Arte Moderno.

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José Manuel Merello. Spanish Painters. Spanish Contemporary Art. Modern Painting. Expressionism.

I D E A S...

A new world.

 The acquisition of contemporary art has taken an unsuspected turn until just a few years ago. If Claude Monet had been told 120 years ago that his water lilies and brilliant landscapes could be seen on high-quality screens from anywhere in the world and, furthermore, bought and collected from the sofa in a house with just a few clicks, he would have thought it was a bad joke. No one in their right mind is ahead of such paradigm shifts, no one except the madmen or the visionaries who generate such changes when technology allows. But in addition to technology, it must be allowed by the public, who must naturally assume the more than real possibility of said advance, the comfortable and safe act of buying, at whatever price, objects of all kinds, from a car, a house or the most valuable art. This internalized trust as something normal, as a habitual market process, has also cost decades of assimilation by citizens since the appearance of the Internet. Before that, everything was analog and required a meticulous and face-to-face examination of the object, artistic in this case, its confirmation of a real thing and not a virtual one, and of course an ancient payment method that has nothing to do with bank gateways or the transfers that we currently use on the internet. It could be said that the charm of direct sales has been lost, the exchange between seller and buyer, the direct appreciation of the painting, of the car, of the vacation home that we will go to in the summer, but nothing has been lost, these options continue being there, there is only profit, there are only new and fabulous tools to be able to comfortably buy anything. Scams and swindles have always existed and the argument that everything is worse online does not hold up; the security protocols of the worldwide web, banking with its current online payment systems, the progressive education and knowledge of the digital environment of citizens mean that being able to buy a beautiful new car or a painting by the artist that we like is currently real world of facilities and a pleasure accessible from the most comfortable and remote place imaginable. 

© José Manuel Merello